The United Nations, 1960: The South Global turns on a political earthquake, Jazz musicians Abbey Lincoln and Max Roach crashed into the Security Council, Nikita Khrushchev pushes his shoe and the United States State Department of the United States to state consignment. The director Johan Grisimpress captures the moment when African politics and American jazz have encountered this magnificent trial film, stripping a historical roller coaster that illuminates political machinations behind the murder of Congo Patrice Lumumba. Richly illustrated by stories of eyewitnesses, official notes of the Government, evidence of mercenaries and operational operators of the CIA, speeches of the Lumumba himself and a true canon of jazz icons, a soundtrack of a blow that questioned colonial history to tell a preceding and emergency story, which are presented more than a previous story. It is transmitted more than always in the geopolitical and timely history of today’s precedents, which stops more than always in the history of geopolitan and appropriate precedents today, which conveys more than always in the history of geopolitan and timely precedents today, which is more than always the preceding geopolitan and temporary story, which transmits more than the preceding history. Of the history of geopolitical and timely precedents today, which is more recently found in the current geopolitical climate.
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